Amazon.com essential recording

An introductory drum roll drops out and is replaced by a single suspended electric guitar, which is then paralleled by a snare, filled in with the bass, and–crash!–”Cherub Rock,” the opening track, is enveloped in an explosion of metal guitar. So the journey begins. This album is pre-experimentation vintage Pumpkins. Produced by Butch Vig (Garbage, Sonic Youth, Nirvana’s Nevermind), Siamese Dream is first about guitars. Lots and lots of guitars. A very close second is Jimmy Chamberlain’s unquestionably excellent power drumming. Throughout each song, Billy Corgan delivers angsty lyrics in his signature breathy whine. “Disarm” is a nice intermission halfway though the album. As the title of the song suggests, it throws the listener into a different mood with its full string arrangements and radiant orchestral chimes. But then it is back to the aural masochism–a pain that rarely sounds so sweet. –Beth Bessmer

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Radiohead’s third album got compared to Pink Floyd a lot when it came out, and its slow drama and conceptual sweep certainly put it in that category. OK Computer, though, is a complicated and difficult record: an album about the way machines dehumanize people that’s almost entirely un-electronic; an album by a British “new wave of new wave” band that rejects speed and hooks in favor of languorous texture and morose details; a sad and humanist record whose central moment is Thom Yorke crooning “We hope that you choke.” Sluggish, understated, and hard to get a grip on, OK Computer takes a few listens to appreciate, but its entirety means more than any one song. –Douglas Wolk

180 Gram/Audiophile pressing Gatefold jacket/2 discs Printed sleeves

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Should several of the tracks on the 25th anniversary edition of Thriller find their way onto your MP3 player, you’re going to have to admit: the music holds up. “Beat It” is not about to go stale, at least not without a rumble, and neither are “Billie Jean” and “P.Y.T.” Even if you put the record-hurtling hits aside, you’re still left with the realization that without MJ, there might not have been a JT [Justin Timberlake], never mind a Ne-Yo (listen closely to “Human Nature” and “Wanna Be Startin’ Somethin’”). The bonus DVD bundled with the expanded CD includes a digitally redone version of the famous title-track video, among other clips, and it still astonishes with its choreography and attitude. As for the new tracks–Fergie inserts herself into “Beat It,” Will.i.am takes on “The Girl Is Mine” and “P.Y.T.,” Kanye West remixes “Billie Jean” (with characteristically subtle brilliance), Akon duets with M-Jack on “Wanna Be Startin’ Somethin’,” and the unrelease (more…)

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Amazon.com essential recording

The Beatles’ last days as a band were as productive as any major pop phenomenon that was about to split. After recording the ragged-but-right Let It Be, the group held on for this ambitious effort, an album that was to become their best-selling. Though all four contribute to the first side’s writing, John Lennon’s hard-rocking, “Come Together” and “I Want You (She’s So Heavy)” make the strongest impression. A series of song fragments edited together in suite form dominates side two; its portentous, touching, official close (“Golden Slumbers”/”Carry That Weight”/”The End”) is nicely undercut, in typical Beatles fashion, by Paul McCartney’s cheeky “Her Majesty,” which follows. –Rickey Wright

Digitally remastered digipak edition of this classic 1969 album from The Beatles featuring ‘Something’, ‘Come Together’, ‘Here Comes The Sun’, ‘Oh Darling’, ‘Because’ and many more. The album has been remastered at Abbey Road Stud (more…)

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